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  • August 5th, 2015

Creative expression | Saint Cloche gallery, Australia

 

3153 Black Line Instagram 640px_03

Mary van de Wiel + Jan Howlin

Playful, bold and exuberant, Black Line Boogie presents a collection of black and white artworks that celebrate the power of line and spontaneous mark-making. There are works on paper and canvas, and functional and sculptural ceramics, all of which make high-drama mileage from simple means to create a dynamic immersive black line environment.

Longtime friends and creative colleagues, van de Wiel and Howlin had each been, independently and quite coincidentally, pursuing a visual arts practice in which black line plays a major role.

It was only when the idea of exhibiting together was suggested by gallery owner Kitty Wong, that this resonance leapt out as a joyously uniting theme.  Black Line Boogie captures their shared feeling of play, a black-line frenzy. The collected works bounce off and respond to each other in a fanciful kind of dance.

For Mary van de Wiel, black line takes center stage in all her work. As designer thinker, storyteller and artist, she has worn many hats but it all comes from the same creative pipeline. She sees grit, drama and true color in 100% black & white. Maybe that’s what living in Brooklyn does to a girl?! (It’s been 20 years since she’s last worn color.)

In Black Line Boogie, she explores creativity, re-invention and the freedom to draw ourselves into new stories and feelings – and a new way of being.(van de Wiel) Pulse of a Landscape

Always the incurable doodler, she put aside her sketch books three years ago and began to scale her work big, bold and impulsive. It started with black house paint on a wall in Mexico, exploded floor to ceiling in Manhattan and then trailed over every Sydney opportunity. From murals to gallery windows to three-legged stools, fabric, chairs — wherever there’s an chance to play. This is van de Wiel’s first exhibition in Sydney.

Her exuberance as a design thinker was well-known in Australia before she moved her branding business to New York in 2000. She now paints her way back and forth across the Pacific.

 Jan Howlin came to black line some years ago when she began exploring it as a means of dramatizing and accentuating the volume and curvature of her hand-built functional ceramic forms. By staining clay black and sandwiching it together with a plain clay body she created a material that contained line-work as an inherent element, and she enjoyed the graphic simplicity and unpredictability that resulted. Her more recent sculptural work also relies on black line to accentuate form and volume, but it is achieved through different means. This finer, looser line-work creates a vitrified finish and a textured surface that traps glaze or pigments. At the same time it adds vigour to the figures she creates and life to the ideas behind them.

(Howlin) Carried Away 1

In bringing the work of van de Wiel and Howlin together, Black Line Boogie presents a dynamic, hand-drawn, hand-made environment, a buzzing fusion of black and white that brims with energy and delight.

 

THE BACK STORY  I’ve been an incurable doodler all my life. It was only three years ago when I was in San Miguel de Allende, Mexico that I first felt compelled to climb a ladder and start painting larger than life – as in: floor to ceiling. A can of black house paint and a roll of gigantic paper taped to the wall was all I needed. You should have seen me. I sighed in happiness.

Fast forward to landing in Sydney 20 months ago: Working, running NY Brand Labs, speaking and tutoring at The University of Sydney Business School/Masters Program, and painting. I found a studio in Paddington in December 2014. Over the moon.

It was earlier this year that I met Kitty Wong, owner of Saint Cloche Gallery – thanks to interior designer Jane Stark. Kitty had already seen my work here on blacklinecrazy.com and asked where I’d exhibited before? I gasped. I’d never been asked that question.

FYI Kitty is passionate about many things and particularly, exhibiting an eclectic mix of paintings and ceramics. So I’m thrilled to be collaborating with my longtime friend, writer and ceramist Jan Howlin. We’re showing our work together, Black Line Boogie, and it celebrates the power of black line and mark making.

It’s my first show (not for Jan who has exhibited in Sydney before), and it’s been an incredible adventure. (Understatement.) I feel grateful that I’ve had the help, insights, support and incredible encouragement from so many friends here. Deep bow.

Black Line Boogie is up from August 11 – September 1. So drop by and say hello. Better still, show up in black and white, and be part of the show! Take a look at Jan’s amazing work here janhowlin-ceramics.com. I post daily on instagram.com/maryvandewiel or you can read my doodler-to-blacklinecrazy-artist story here on the about page @ blacklinecrazy.com

(van de Wiel) Pulse of a Landscape

(Howlin) Carried Away 1

 

 

 

 

 

 

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